More on preparation – sanding sealer and using an index coat
I can’t stress enough the need for thorough preparation for a guitar finish to turn out well. Black lacquer is very reflective and shows every defect, so it is especially important here.
The first step is to sand the body well with fine sandpaper to remove any fuzzy edges from the machining process, then to apply plenty of sanding sealer.
Alder is a very absorbent wood and you’ll see it soaking into the wood, especially on the end grain.
I sprayed several heavy-ish coats until the end grain remained wet-looking, indicating that the wood had stopped soaking up the sealer.
Once I thought that I had plenty of sealer on, I let it dry overnight before block sanding.
Sanding showed up a few low spots and defects in the wood which I needed to treat.
The worst of them were a small knot between the control holes which could be seen as the sanding dust collected in it
and a depression in the edge of the body which remained shiny and unsanded.
I filled each of these with Ronseal 2-pack brown wood filler
and sanded smooth.
Afterwards, the whole body was given another coat of sanding sealer and allowed to harden overnight.
I wanted to be sure that I had sanded out and/or filled every imperfection, so decided to use a technique I learned from my car-spraying days called an index coat.
An index coat is a very fine mist coat of black (or another colour) lacquer which is typically sprayed over a primed surface.
You can even use this on transparent finishes because you sand it off again.
The index coat highlights imperfections because as you block-sand your guitar body, it remains in any low areas such as the very slight depression around our knot
and a few tiny dings which would have gone unnoticed.
I continued sanding until no black lacquer remained so I was sure that the faces of the guitar were perfectly flat and free of the tiniest of defects.
I sprayed another coat of sanding sealer and sanded to 320 grit, ready for the colour coat.